Bela Ivanyi-Grunwald(6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting. | |||
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Woman by the Water Måleriet identifieringen:: 76300 Titta min galleri i Sverige |
Woman by the Water Date 1897(1897) Medium Oil on canvas Dimensions 81x99 cm cyf Date_1897(1897) _ Medium_Oil_on_canvas _ Dimensions_81x99_cm _ cyf |
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Ave Maria Måleriet identifieringen:: 77035 Titta min galleri i Sverige |
Ave Maria English: Ave Maria Date 1891 cyf English:_Ave_Maria_ Date_1891 _ cyf |
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Devotion (Ave Maria) Måleriet identifieringen:: 95637 Titta min galleri i Sverige |
Devotion (Ave Maria) Date 1891(1891) Medium oil on canvas Dimensions Height: 120 cm (47.2 in). Width: 115.2 cm (45.4 in). TTD Date_1891(1891)_ Medium_oil_on_canvas_ Dimensions_Height:_120_cm_(47.2_in)._Width:_115.2_cm_(45.4_in)._ TTD |
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The Warlord's Sword Måleriet identifieringen:: 95638 Titta min galleri i Sverige |
The Warlord's Sword Date 1890(1890) Medium oil on canvas Dimensions Height: 161 cm (63.4 in). Width: 150 cm (59.1 in). TTD Date_1890(1890)_ Medium_oil_on_canvas_ Dimensions_Height:_161_cm_(63.4_in)._Width:_150_cm_(59.1_in)._ TTD |
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Moon Rise Måleriet identifieringen:: 95639 Titta min galleri i Sverige |
Moon Rise Date 1897(1897) Medium oil on canvas Dimensions Height: 118 cm (46.5 in). Width: 185 cm (72.8 in). TTD Date_1897(1897)_ Medium_oil_on_canvas_ Dimensions_Height:_118_cm_(46.5_in)._Width:_185_cm_(72.8_in)._ TTD |
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| Bela Ivanyi-Grunwald | ||||||||||
| (6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting. | ||||||||||
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